Ben Affleck just said the quiet part out loud, and honestly? He’s not wrong.
Ben Affleck just said the quiet part out loud, and honestly? He’s not wrong.
The actor – who’s had his own complicated relationship with Hollywood over the years – came out swinging in defense of Tom Cruise’s “Digger,” which is currently getting absolutely destroyed at the box office. But here’s the thing: Affleck’s not just being a nice colleague. He’s warning us that if we keep trashing movies like this, we’re gonna get exactly what we deserve. Which is, in his words, “shitty” movies.
The Box Office Disaster Nobody Saw Coming
“Digger” is tanking. Like, really tanking. And I get it – the movie’s a weird mid-budget drama that doesn’t fit neatly into any of the boxes we’ve come to expect from a Tom Cruise vehicle. It’s not “Top Gun: Maverick.” It’s not a Mission Impossible sequel. It’s something different, something riskier, and audiences are staying home in droves. Neil Young called it "the best film I have ever seen," which puts him squarely in Affleck's camp on Neil Young's Stunning Verdict: Why 'Digger' Changes Everything.

But Affleck’s point is basically this: keep rejecting anything that tries to be different, and the studios will learn their lesson. They’ll stop taking chances. They’ll stop greenlighting anything that doesn’t have a built-in fanbase or a sequel number in the title. And we’ll be stuck with the same recycled garbage year after year.
I mean, he’s got a point, right? We’ve been complaining for years about the lack of originality in Hollywood. Everyone’s tired of remakes and reboots and cinematic universes. But then when someone actually tries something new – even if it’s Tom Cruise, arguably the biggest star we’ve got – we don’t show up.
Why Affleck Actually Cares About This
Look, Affleck’s been through the Hollywood machine. He’s made some genuinely great films (“Argo,” “The Town”) and he’s also been in some absolute disasters (we don’t need to revisit “Gigli,” but you know it happened). He knows what it’s like when studios get scared and start playing it safe.
And that’s what his warning is really about. When “Digger” fails – and at this point, it’s pretty clear it’s failing – studio executives aren’t going to say “well, we marketed it wrong” or “maybe we should have released it at a different time.” They’re gonna say “see? Nobody wants original movies anymore. Give them another superhero franchise.”

The studios have been moving in this direction for years anyway. Mid-budget movies have basically disappeared. Everything’s either a massive tentpole that costs $200 million or a tiny indie that gets dumped on streaming. There’s no middle ground anymore, and “Digger” – whatever its flaws – represents that dying breed of film that’s just trying to tell a standalone story with actual stars and actual budgets. Aaron Sorkin recently learned this lesson the hard way with Sorkin's $5.5M Flop: When Genius Fails – another mid-budget original that couldn't find an audience.
Tom Cruise’s Gamble
Here’s what makes this particularly frustrating: Tom Cruise literally saved movie theaters with “Top Gun: Maverick.” That film made over a billion dollars and reminded everyone why we go to the movies in the first place. He earned some goodwill. He earned the right to try something different.
But apparently not. Because audiences have decided that if Cruise isn’t flying planes or hanging off buildings, they’re not interested. And that’s… kind of depressing, actually.
“When you trash movies that take risks, you’re telling studios to make shitty movies that don’t stand out.”
What Happens Next Is on Us
I’m not saying “Digger” is a masterpiece. Maybe it’s not. Maybe it’s deeply flawed. But the point Affleck’s making – and the point I think we need to hear – is that our collective response to movies like this has consequences.
Every time we skip an original movie and wait for the next Marvel installment, we’re voting. Every time we ignore something risky and show up for the safe bet, we’re telling Hollywood exactly what to make. And then we act surprised when everything feels like it’s been focus-grouped to death.
The studios are already scared. They’re already playing defense. The theatrical window is shrinking, streaming has changed everything, and the pandemic basically destroyed whatever was left of the mid-budget movie. “Digger” might be one of the last gasps of that era, and if it goes down in flames, don’t expect studios to try this again anytime soon.
The Uncomfortable Truth
Here’s what nobody wants to admit: we say we want original movies, but we don’t actually support them. We complain about franchises, but we show up for them. We mock superhero fatigue, but we’re still buying tickets to the latest installment. The industry gives us what we pay for, not what we say we want.
Affleck’s warning isn’t subtle. He’s basically saying if “Digger” crashes and burns, we’re gonna get more formulaic, committee-designed, risk-averse garbage. And honestly? We probably will. Because that’s how Hollywood works. They follow the money, and right now, the money’s not following “Digger.”
So I guess the question is: do we actually want better movies, or do we just want to complain about not having them? Because you can’t have it both ways. You can’t trash everything that tries something different and then wonder why everything feels the same.
Maybe “Digger” isn’t great. But it tried. And if that’s not worth something anymore, well… get ready for a whole lot of shitty movies.